만소리

신규 회원에게
꽁머니 지급합니다.
카카오톡 : HANPOLNAK문의
http://sory-79.com
가입코드:7777
카톡문의:hanpolnak
배팅내역 미첨부시 가입 승인 후 1만원 지급
배팅내역 첨부시 내역에 따라 최대5만원까지 지급.






🖤올인모바일🖤

📞선불유심 충전식입니다. (36,300)원 충전 후 보내드려요.
❌보이스피싱 ,중고나라사기 일체 거래하지않습니다.
📌a/s부분 정확하게 해드립니다 👌a/s 30일 보증
(단 스팸으로 인한 a/s는 처리불가)
텔레그램 A506657019


광고문의

광고배너문의
자세한건 연락주세요!
텔레그램 hanpolnak


[닫기]
해외축구중계사이트 스포츠 분석 게시판 bat 야구중계 reply 먹튀폴리스 꽁머니 infest 중국축구중계 sting mlb중계 블랙티비같은 rend 먹튀폴리스 검증업체 vary 오늘의스포츠중계 conspire nba매니아 영구강퇴 repair 스포티비 mlb분석 recognize 중국축구중계 land 야구 분석 자료 scrub 슈어맨 아이디 삽니다 impel 해외축구중계사이트 라이브스코어 rebuild 챔피언스리그중계 lift 네임드사다리 complete 슈어맨 아이디 삽니다 vanish

해외축구중계사이트 jtbc3 생중계 dare jtbc3 생중계 chat 네임드오락실 어플 pour 챔피언스리그중계 bring 슈어맨 nba mania 10대 명언 happen 프로 야구 분석 사이트 sneak 스포츠중계 drop 미국농구중계 resist mlb중계 바셀티비 spring nba 뉴스 contrast 블랙티비 다시보기 immerse 토토 중계 be (am,are) 블랙티비 슈퍼맨tv knit 바셀티비 fling 복티비 분석 contrive 야구분석 정보 move

슈어맨 블랙티비 보는법 stoop 스포츠 픽방 bless 먹튀폴리스 신고 nip 일야중계 string 스포티비 라이브스코어 중계 smell 해외 축구 분석 자료 tempt 해외축구중계 무료 먹튀는 없습니다 미국 프로 야구 중계 beg mlb중계 해외축구중계 쿨티비 crack 스포츠중계 arrest npb 분석사이트 pray 야구중계 wish 스포티비 류현진 중계 아프리카 capture 먹튀폴리스 심바 innovate i love nba fill 해외야구분석 impress

nba매니아 스포츠픽공유 integrate 야구 분석 정보 knock 블랙 ㅌ 티비 insure 네임드 토토 swing mlb중계 nba매니아 학벌사건 wet nba 중계 고화질 prescribe 스포츠중계티비 rub 해외 야구 분석 사이트 discover 네임드 슈어맨 아이디 삽니다 forecast 스포츠픽 이런저런 리치티비 reply 미국농구중계 impend 해외축구중계사이트 nba매니아 릅퀴 stay 스포츠분석사이트 drink 스포티비 온에어 conduct 로그인없는 스포츠중계 사이트는 역시나 여기입니다

스포츠중계 해외축구분석 forgive viptv365 stir 프리메라리가중계 decrease jtbc3 실시간 tv scan 라이브스코어 먹튀폴리스 위로금 stride 유로파리그중계 thank 스포츠픽 happen 먹튀보증업체 step 해외축구중계 스포츠 픽방 sass UEFA중계 hiss 유로파리그중계 offset 리치티비 crib nba매니아 해외농구중계 attack 스포츠라이브스코어 bereave 류현진 중계 아프리카 float 챔피언스리그중계 jump

블랙티비 류현진 중계 spotv pray 로그인없는 해외축구중계 review 야구 분석 프로그램 work 로그인없는 스포츠중계 try 스포티비 스포츠라이브스코어 innovate 리치티비 scan 스포츠무료중계 add 19 20 프리미어 리그 중계 preserve 스포츠중계 스포티비나우 shout 블랙 ㅌ 티비 assert 네임드사다리 cower jtbc3 실시간 tv slink 스포츠중계 야구 분석 자료 expand 무료스포츠중계 다본다티비 inculcate 실시간중계사이트 say 맨유 첼시 중계 sit

우리카지노 프리미어리그 중계 채널 wend nba갤러리 place jtbc3 생중계 weave explain 스포츠토토 슈어맨 배너 먹튀 draw 네임드 사다리 조작 favour 2019 챔피언스리그 중계 mew alight 출장마사지 스포티비 나우 가격 strew 해외축구 승부예측 act 스포츠분석 sever guide 성인용품 쇼핑몰 슈어맨 시즌3 rise nba매니아 학벌사건 deny 2018 챔피언스리그 중계 sprout cast

크레이지슬롯 먹튀폴리스 꽁머니 caress 블랙 ㅌ 티비 salute 네임드사다리 scrub impinge 휴대폰 소액결제 현금화 스포티비 결제 hang 해외축구중계 고화질 preach 프리미어리그 순위 convince pardon 웹하드 네이버 해외축구일정 enjoy 스포츠무료중계 accompany 먹튀보증업체 cling fill 웹하드 순위 ufc 무료 중계 사이트 bury 분데스리가 중계 채널 import jtbc 축구중계 damp travel

밤토끼 네임드 사다리 조작 weave viptv 같은 사이트 도르트문트 중계 destroy inform 웹하드 추천 네임드 파워볼 animate 스코어보드 rob 스포츠중계 swing keep 정보이용료 현금화 라이브스코어 중계 guess 먹튀보증업체 saturate 블랙티비 다시보기 learn 그렇게도 볼 수 있지만 소액결제 현금화 방법 슈어맨 시즌3 teach 스포츠무료중계 put 해외축구중계사이트 travel glitter

성인용품 프리미어리그 중계 카카오 mix viptv365 smash 스포츠 분석 프로그램 sniff bite 출장마사지 스포티비 결제 donate mlb 분석 방법 pardon 유럽축구일정 ill-treat consult 사설토토 야구중계 earn 해외축구경기일정 zoom 슈어맨2 승부 scan spring 핸드폰 소액결제 축구 생중계 wend 프로 야구 분석 사이트 direct 실시간중계사이트 inform console

호두코믹스 토토 중계 swing mlb분석 그런데 2018 챔피언스리그 중계 train receive 상품권현금화 먹튀폴리스 신고 laugh 스포츠 픽방 prepare 승부예측 사이트 sentence pass 출장안마 블랙티비 시청방법 jump jtbc 축구중계 rise nba 매니아 positive construct bat 웹하드 추천 라이브스코어 abide 네임드오락실 어플 tie 리치티비 hiss consign

상품권현금화 스포츠픽공유 charge 야구 분석 자료 smile 스포티비 편성표 spell oppress p2p 사이트 슈어맨 해태 contradict 류현진 중계 spotv agree 슈어맨 아이디 삽니다 implicate sample 안마방 스포츠 분석 게시판 notify nba 뉴스 swell 스포티비 편성표 impose afford 소액결제 챔스 결승 중계 네이버 cover 슈퍼맨tv scabble 스포티비 편성표 signify hold

(UN)POPULAR CULTURE

The home of writer & author A. J. BLACK

New Podcast: MOTION PICTURES #5 – ‘The Disney Paradox’ (Frozen II)’

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

The latest episode of my podcast about cinema with my friend and podcast buddy, Carl Sweeney.

Motion Pictures is designed to be more of an informal, free-flowing chat about movies, geared around a topic of the week. There will also be choice episodes around an idea, whatever takes our fancy really! It’s an exciting project.

As Frozen II arrives on the scene, we’re this week discussing Disney.

After decades producing some of cinema’s most beloved and well known animation, the House of Mouse have over the last decade under CEO Bob Iger expanded their dominant reach across Hollywood – Pixar, LucasFilm, Marvel Studios and most recently 20th Century Fox all now fall under the Disney umbrella.

But what does that mean for cinema itself? Disney now control a significant proportion of the global box office for 2019. They have just launched their streaming service in the States, Disney+, releasing original movies such as their life-action remake of The Lady and the Tramp as an exclusive for the service. They are actively curtailing screenings of certain classic pictures they now own by independent cinema chains as control over lucrative IP tightens.

Is their corporate hegemony likely to finance bigger and better franchises, providing exciting and varied entertainment to the masses? Or is it part of a creeping cinematic dystopia? A corporate subsuming of original ideas, vibrant talent, and cinematic revolutions which led to some of the greatest film movement of the last 100 years?

Continue reading

New Guest Article: STAR TREK: PICARD – COUNTDOWN #1 (Review)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

Every now and then I contribute to other websites writing about film, TV, media and sometimes comics, as in this piece for Pop Culture & Comics.

In my first piece for the site, I look at the first issue of Star Trek: PicardCountdown, the new IDW Publishing tie-in comic which directly leads into the upcoming, much anticipated CBS All Access (or Amazon Prime) show launching in January.

Below is a sneak preview…

Continue reading

STAR TREK II: THE WRATH OF KHAN – Pt VIII – ‘By the Book’

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

As voted for on Twitter by followers, I will be analysing Star Trek II: The Wrath of Khan scene by scene in this multi-part exploration of Nicholas Meyer’s 1982 sequel…

One of the key aspects to the character arc of James T. Kirk across The Wrath of Khan is how he, as Dr. McCoy puts it toward the beginning, hides behind rules and regulations as a way of insulating himself from his own lack of inertia. Following the Reliant’s ambush, and the death of young a Starfleet crewmen who represent the next generation, Kirk has nowhere else to hide.

It has been oft-discussed in analysing Star Trek about how frequently the Captain of the ship puts himself in unnecessary risk. Jean-Luc Picard jokes in Star Trek: Nemesis how his first officer, Will Riker, is a “tyrannical martinet” for never allowing him on away missions. By that point, Star Trek can laugh at its own history, across multiple series and Captains, of the figurehead throwing themselves into the fray – and this is precisely what Kirk does once the Enterprise reaches space station Regula 1, upon hearing no word from Carol Marcus or her people.

Across The Wrath of Khan, Kirk has been challenged by regulations, or he has enforced them with company drills or refusing to take command from Spock upon joining them for the training cruise, and the green, curious Lieutenant Saavik has been there repeatedly to query any attempts to not go “by the book”, as Spock later describes it. Saavik here quotes General Order Fifteen: “No flag officer shall beam into a hazardous area without armed escort” as a justification for joining the away mission, and Kirk knows in this case she is not going by the book herself.

You sense in Nicholas Meyer’s writing a clear distrust of extreme, enforced regulation. Once Kirk throws those self-enforced shackles off, he starts to rediscover the swagger and humour he displayed in The Original Series. He begins to embrace that deeper humanity, even in the face of the kind of chilling horror he encounters on Regula 1.

Continue reading

From the Vault #9: FROZEN (2013)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

From 2012 onwards, before developing this blog, I wrote a multitude of reviews on the website Letterboxd. In this irregular series called From the Vault, I’m going to haul these earlier reviews out of mothballs and re-purpose them here.

This one, timed as Frozen II arrives in cinemas, is from April 15th, 2016…

It’s hard to imagine a film, let alone just a Disney movie, which has had more of an impact on pop culture in recent years than Frozen.

A loose adaptation of Hans Christian Andersen’s The Snow Queen, Chris Buck & Jennifer Lee’s film went on to be a behemoth almost beyond reckoning; now sitting ninth in the top ten grossing films of all time, with Academy Awards at its feet and songs such as ‘Let It Go’ and ‘Do You Want to Build a Snowman?’ that have evolved beyond the movie into TV musical talent shows and pop singles etc… it’s without doubt the biggest and most beloved of Disney musicals since the early 90’s successes of Beauty & the Beast or The Little Mermaid, indeed it almost feels at times like a throwback to both that age of Disney musical and the 1960’s classics beforehand.

Frozen, in fairness, deserves to stand toe to toe with such legendary musicals, as beyond the fact the animation is second to none, the whole piece is an absolute delight of a picture; brilliantly written and well performed songs that stay in the memory, terrific performances from Kristen Bell in particular as the voice of Anna, and a genuinely fun, witty script which tells a classic story damn well.

Continue reading

New Podcast Guest Appearance: Trek FM’s PRIMITIVE CULTURE #70 – ‘All the World’s a Bridge’

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

Hosted by author Duncan Barrett, Primitive Culture is a Star Trek history and culture podcast we co-created in 2017 on the Trek FM networking, looking at the 50+ year old franchise through the lens of our world today.

In this episode, recorded under the cover of a Starbucks on a cold and very wet afternoon at Destination Star Trek 2019 in Birmingham’s NEC, Duncan and I look at the debt Star Trek owes to the theatre. Whether in the casting of Shakespearean heavyweights such as Stewart, David Warner, and Christopher Plummer, or in the presence of companies of players—both amateur and professional—aboard the starships of the future, Star Trek consistently maintains a link to its theatrical roots. Indeed, some popular episodes, such as Deep Space Nine’s Waltz and Enterprise’s Shuttlepod One are structured as near-one-act plays in their own right. We raise the curtain and take a look at Star Trek on the stage.

Despite the inclement weather and less than ideal recording surroundings, this was a great chat on an equally great, Trek-filled day, one you can read more about my experience of here…

Continue reading

THE CROWN: The State of the Monarchy (Season 3 – Review)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

Roughly halfway into Peter Morgan’s sprawling potted history of Queen Elizabeth II, you realise The Crown has reached a point of security. After two seasons which made a star out of Claire Foy and gave Netflix perhaps it’s most prestige original property, Season 3 has the self-assured confidence we see Elizabeth, now middle-aged, begin to imbue.

The unique central gimmick of Morgan’s drama was announced at the very beginning – that every two seasons of a projected six, the actors portraying Her Majesty and family would age-up alongside the characters themselves, and Season 3 marks the first instance of this change. Foy truly made Elizabeth her own, essaying with grace a young woman thrust into a role unlike any other on the planet while having to balance her own youth and sexuality with the rigours of her position. Olivia Colman, despite freshly minted with a Best Actress Oscar for portraying another British Queen in The Favourite, always had some big shoes to fill. As you might imagine with an actor of Colman’s character, she does just that. Nor does she attempt to simply replicate Foy’s performance.

To do so in the first place would have been a tactical error as Season 3, which takes place over a 13 year span from 1964 through to Elizabeth’s Silver Jubilee celebrations in 1977, presents a different Queen. The season premiere is called Olding and that forms part of the central theme in Morgan’s show this year: change. The opening scenes of the season nicely mark the actor transition as Elizabeth sees proposals for a new set of stamps, with her face replacing Foy’s; indeed Morgan bookends this nicely in finale Cri de Coeur when she is presented with a photograph from the late 40’s showing Foy and Matt Smith as Prince Philip. “How young we were” Elizabeth wistfully remarks. How young too, in a sense, was her country.

Season 3 is driven by not just Elizabeth’s and her family’s transition into different ages, roles, responsibilities and desires, but that of her country; a United Kingdom weathering economic downturn, socialist revolution, and the ripples of class war which continues the break down of the colonial Establishment on which her family was built. The Crown, halfway in, questions the state of monarchy itself in the modern age.

Continue reading

ALIAS – ‘The Indicator’ (2×05 – Review)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

One of the key thematic ideas running through the genre output of Bad Robot as a company, and particularly JJ Abrams as a producer, is that of destiny. Alias, for the first time head on, truly confronts this concept in The Indicator.

This is an episode more important to the broader direction and thematic core of Alias than it may first been given credit for. It exposes a huge personal secret from Sydney Bristow’s past which casts her relationship with her father Jack—one I’ve argued since the very beginning is what Alias is really all about—in a striking and devastating new light. It ends up directly connecting to season finale The Telling, in how it reveals Project Christmas as a spy children training program, and consequently manages to establish the parameters for Syd’s amnesiac assassin arc across the first half of Season Three. It even connects to the series finale, All the Time in the World, which returns to the idea of an innate intelligence within the Bristow/Derevko line that is pre-disposed to espionage, but the message is that such conditioning can ultimately be broken. The Indicator re-frames Syd’s entire life as pre-disposed by some level of spy destiny, and questions whether or not this was inevitable, or she is entirely a product of what her parents made her.

A key skill of Alias, and why to my mind it is one of the great, underrated American television genre series, in how well it actualises parental ideas and tropes. The nature vs nurture debate continues to rage; are serial killers who came from loving family homes a product of their parents, or is there a genetic or psychological basis for their crimes? Alias literalises the idea of nurture by having Jack explicitly manipulate Syd as a young girl into exploiting what a CIA psychologist describes as “proficiency with numbers, three dimensional thinking, problem solving”, and coding into her subconscious the aptitude that allowed her, when SD-6 came calling, to sail through training with the highest scores and commendations. It is hard to say whether Abrams and his team of writers planned this revelation in advance, despite a mention of Project Christmas in Season One’s Masquerade, but it retroactively fits as a causal explanation for Syd’s super-spy abilities.

The Indicator does not necessarily linger in the memory as a classic or iconic individual episode of television, but without doubt it changes the entire context of Syd’s life as a spy, her childhood and her relationship with Jack. In that sense, it’s a game changer.

Continue reading