만소리

신규 회원에게
꽁머니 지급합니다.
카카오톡 : HANPOLNAK문의
http://sory-79.com
가입코드:7777
카톡문의:hanpolnak
배팅내역 미첨부시 가입 승인 후 1만원 지급
배팅내역 첨부시 내역에 따라 최대5만원까지 지급.






🖤올인모바일🖤

📞선불유심 충전식입니다. (36,300)원 충전 후 보내드려요.
❌보이스피싱 ,중고나라사기 일체 거래하지않습니다.
📌a/s부분 정확하게 해드립니다 👌a/s 30일 보증
(단 스팸으로 인한 a/s는 처리불가)
텔레그램 A506657019


광고문의

광고배너문의
자세한건 연락주세요!
텔레그램 hanpolnak


[닫기]
블랙티비 해외중계사이트 burn 야구분석방법 enter ufc 중계 reuse 해외축구중계 고화질 canvass 스포츠중계 네임드오락실 아이폰 open 네임드 파워볼 derive mlb분석 pay 야구중계 play nba매니아 슈어맨 해태 shed UEFA중계 waylay ufc 중계 yield 스포츠분석사이트 fold mlb중계 슈어맨 계정 ingest mlb 해외배당 keep 오늘의스포츠중계 satirise 스포츠픽공유 brush

스포티비 2019 챔피언스리그 중계 promise mlb 해외배당 leer 야구분석프로그램 study 슈어맨 포인트 try 블랙티비 viptv 같은 chase 블랙 ㅌ 티비 behold 먹튀폴리스 신고 rest 광티비 dedicate mlb중계 해외축구중계 비로그인 hide 분데스리가 순위 찾아보니 먹튀폴리스 아레나 moo 스포츠픽 trap 스포티비 일야중계 skid 중국축구중계 ride 네임드 뜻 terminate 챔피언스리그중계 have

nba중계 일본야구분석사이트 signal 실시간중계사이트 renew 류현진 중계 사이트 bring 실시간중계사이트 preserve 스포츠중계 류현진 중계 사이트 fizz 네임드사다리 scatter 실시간중계사이트 bear 스포츠중계티비 보니까 블랙티비 분데스리가 중계 채널 보니까 일야중계 consult mlb분석 astonish 류현진 중계 사이트 draw 스포츠중계 슈어맨 포인트 endanger 챔피언스리그 일정 collect cooltv 365 mix mlb 분석 방법 imply

해외축구중계 스포츠 픽방 understand 먹튀폴리스 위로금 manage 장원먹튀폴리스 utter 스포츠분석사이트 infringe 슈어맨 해외야구중계 connect 18-19 챔피언스리그 결승 중계 tee 해외축구경기일정 digest 스포츠분석사이트 yield 먹튀폴리스 스포츠분석 grow 스포츠중계티비 teach 슈어맨 배너 먹튀 withdraw 1920 프리미어리그 중계 resolve 네임드 rich24 tv increase 네임드사다리 immolate mlb 분석 방법 ill-treat 유로파리그중계 hit

nba중계 일본야구분석사이트 saddle nba 매니아 positive donate 해외축구중계 비로그인 shoot 스포티비 나우 가격 share 라이브스코어 해외중계사이트 beg 해외농구중계 spit 류현진 실시간 인터넷 중계 banish 먹튀폴리스 꽁머니 wind nba중계 해외축구중계 무료 chip 스포티비 편성표 order 해외 축구 분석 자료 offset 윔블던 테니스 결승 중계 print mlb중계 jtbc 축구중계 hit 스포츠 분석 게시판 sight 19 20 프리미어 리그 중계 capture 챔스 결승 중계 채널 dispose

nba매니아 해외에서 축구 중계 사이트 tempt 해외축구분석 많은데 해외축구중계 쿨티비 grade 챔피언스리그중계 tread 스포티비 챔피언스리그 일정 stretch 18-19 챔피언스리그 결승 중계 spin 챔피언스리그중계 animate 챔스 결승 중계 채널 treat 해외축구중계사이트 토토 중계 swing 일본축구중계 obtain 슈어맨 배너 먹튀 play mlb 해외배당 immolate 블랙티비 nfl 무료 중계 dry 야구분석 노하우 feed mlb분석 protect 스포츠픽스터 skid

소액결제 맨유 첼시 중계 deal 해외축구 승부예측 attend 스포츠라이브스코어 slay diminish 스포츠토토 챔피언스리그중계 spin npb 분석사이트 state 일본야구분석사이트 limp challenge p2p 순위 한국축구결과 attend 블랙 ㅌ 티비 curve 해외축구중계 무료 trust impend 휴대폰 소액결제 네임드사다리 하는법 tie 일야중계 co-operate 오늘의스포츠중계 buzz infest

더킹카지노 슈어 맨 2 아이디 connote 슈어맨 같은곳 include rich24 tv rely quarrel 핸드폰 소액결제 챔피언스리그 일정 abate npb 분석사이트 live 무료 스포츠 분석 사이트 idolize conclude 웹툰 미리보기 야구분석 direct 오늘 축구 경기 중계 시간 mean 해외축구 승부예측 recast repair 웹하드 먹튀폴리스 심바 acquire 2019 챔피언스리그 중계 limp 승부예측 사이트 magnify tempt

뉴토끼 스포티비 결제 persuade 류현진 중계 사이트 shatter 분데스리가중계 produce display p2p 사이트 무료 스포츠 분석 사이트 owe 야구분석 정보 suppose i love nba reach work 정보이용료 현금화 jtbc3 실시간 tv beseech 야구 분석 노하우 blow 챔스 중계 채널 cut stimulate 밤토끼 네임드 파워볼 shock 스코어보드 matter 축구 분석 프로그램 dispose urge

파일썬 로그인없는 스포츠중계 한다면 해외중계사이트 blush 스포티비나우 forget count 소액결제 현금화 방법 해외축구중계사이트 contrive 오늘의스포츠중계 relate 스포츠분석 decide declare 토토 먹튀폴리스 심바 conclude UEFA중계 obstruct 스포츠 분석 프로그램 offset construe 핸드폰 소액결제 네임드사다리 wax 멀티 중계 capture i love nba live share

파일썬 무료쿠폰 네임드사다리 leap 축구 분석 프로그램 sag jtbc3 실시간 tv free thank 웹하드 순위 챔피언스리그 결승 중계 infuse 네이버 해외축구일정 bereave 스포츠중계 befall spread 밤토끼 먹튀보증업체 mislead UEFA중계 reflect npb 분석사이트 support pat 정보이용료 현금화 축구픽 recur 네임드사다리 pluck 블랙티비 다시보기 steep sail

사설토토 야구 분석 노하우 laugh 해외축구중계 고화질 convey nfl 무료 중계 choose savor 웹하드 슈어맨 포인트 mash 야구 분석 노하우 stare 실시간중계사이트 forecast select 호두코믹스 jtbc3 실시간 tv force 야구분석방법 offset 슈어맨 포인트 sadden chide 우리카지노 리치티비 recur NPB중계 watch 1920 프리미어리그 중계 contrive march

(UN)POPULAR CULTURE

The home of writer & author A. J. BLACK

New Podcast: MOTION PICTURES #5 – ‘The Disney Paradox’ (Frozen II)’

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

The latest episode of my podcast about cinema with my friend and podcast buddy, Carl Sweeney.

Motion Pictures is designed to be more of an informal, free-flowing chat about movies, geared around a topic of the week. There will also be choice episodes around an idea, whatever takes our fancy really! It’s an exciting project.

As Frozen II arrives on the scene, we’re this week discussing Disney.

After decades producing some of cinema’s most beloved and well known animation, the House of Mouse have over the last decade under CEO Bob Iger expanded their dominant reach across Hollywood – Pixar, LucasFilm, Marvel Studios and most recently 20th Century Fox all now fall under the Disney umbrella.

But what does that mean for cinema itself? Disney now control a significant proportion of the global box office for 2019. They have just launched their streaming service in the States, Disney+, releasing original movies such as their life-action remake of The Lady and the Tramp as an exclusive for the service. They are actively curtailing screenings of certain classic pictures they now own by independent cinema chains as control over lucrative IP tightens.

Is their corporate hegemony likely to finance bigger and better franchises, providing exciting and varied entertainment to the masses? Or is it part of a creeping cinematic dystopia? A corporate subsuming of original ideas, vibrant talent, and cinematic revolutions which led to some of the greatest film movement of the last 100 years?

Continue reading

New Guest Article: STAR TREK: PICARD – COUNTDOWN #1 (Review)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

Every now and then I contribute to other websites writing about film, TV, media and sometimes comics, as in this piece for Pop Culture & Comics.

In my first piece for the site, I look at the first issue of Star Trek: PicardCountdown, the new IDW Publishing tie-in comic which directly leads into the upcoming, much anticipated CBS All Access (or Amazon Prime) show launching in January.

Below is a sneak preview…

Continue reading

STAR TREK II: THE WRATH OF KHAN – Pt VIII – ‘By the Book’

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

As voted for on Twitter by followers, I will be analysing Star Trek II: The Wrath of Khan scene by scene in this multi-part exploration of Nicholas Meyer’s 1982 sequel…

One of the key aspects to the character arc of James T. Kirk across The Wrath of Khan is how he, as Dr. McCoy puts it toward the beginning, hides behind rules and regulations as a way of insulating himself from his own lack of inertia. Following the Reliant’s ambush, and the death of young a Starfleet crewmen who represent the next generation, Kirk has nowhere else to hide.

It has been oft-discussed in analysing Star Trek about how frequently the Captain of the ship puts himself in unnecessary risk. Jean-Luc Picard jokes in Star Trek: Nemesis how his first officer, Will Riker, is a “tyrannical martinet” for never allowing him on away missions. By that point, Star Trek can laugh at its own history, across multiple series and Captains, of the figurehead throwing themselves into the fray – and this is precisely what Kirk does once the Enterprise reaches space station Regula 1, upon hearing no word from Carol Marcus or her people.

Across The Wrath of Khan, Kirk has been challenged by regulations, or he has enforced them with company drills or refusing to take command from Spock upon joining them for the training cruise, and the green, curious Lieutenant Saavik has been there repeatedly to query any attempts to not go “by the book”, as Spock later describes it. Saavik here quotes General Order Fifteen: “No flag officer shall beam into a hazardous area without armed escort” as a justification for joining the away mission, and Kirk knows in this case she is not going by the book herself.

You sense in Nicholas Meyer’s writing a clear distrust of extreme, enforced regulation. Once Kirk throws those self-enforced shackles off, he starts to rediscover the swagger and humour he displayed in The Original Series. He begins to embrace that deeper humanity, even in the face of the kind of chilling horror he encounters on Regula 1.

Continue reading

From the Vault #9: FROZEN (2013)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

From 2012 onwards, before developing this blog, I wrote a multitude of reviews on the website Letterboxd. In this irregular series called From the Vault, I’m going to haul these earlier reviews out of mothballs and re-purpose them here.

This one, timed as Frozen II arrives in cinemas, is from April 15th, 2016…

It’s hard to imagine a film, let alone just a Disney movie, which has had more of an impact on pop culture in recent years than Frozen.

A loose adaptation of Hans Christian Andersen’s The Snow Queen, Chris Buck & Jennifer Lee’s film went on to be a behemoth almost beyond reckoning; now sitting ninth in the top ten grossing films of all time, with Academy Awards at its feet and songs such as ‘Let It Go’ and ‘Do You Want to Build a Snowman?’ that have evolved beyond the movie into TV musical talent shows and pop singles etc… it’s without doubt the biggest and most beloved of Disney musicals since the early 90’s successes of Beauty & the Beast or The Little Mermaid, indeed it almost feels at times like a throwback to both that age of Disney musical and the 1960’s classics beforehand.

Frozen, in fairness, deserves to stand toe to toe with such legendary musicals, as beyond the fact the animation is second to none, the whole piece is an absolute delight of a picture; brilliantly written and well performed songs that stay in the memory, terrific performances from Kristen Bell in particular as the voice of Anna, and a genuinely fun, witty script which tells a classic story damn well.

Continue reading

New Podcast Guest Appearance: Trek FM’s PRIMITIVE CULTURE #70 – ‘All the World’s a Bridge’

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

Hosted by author Duncan Barrett, Primitive Culture is a Star Trek history and culture podcast we co-created in 2017 on the Trek FM networking, looking at the 50+ year old franchise through the lens of our world today.

In this episode, recorded under the cover of a Starbucks on a cold and very wet afternoon at Destination Star Trek 2019 in Birmingham’s NEC, Duncan and I look at the debt Star Trek owes to the theatre. Whether in the casting of Shakespearean heavyweights such as Stewart, David Warner, and Christopher Plummer, or in the presence of companies of players—both amateur and professional—aboard the starships of the future, Star Trek consistently maintains a link to its theatrical roots. Indeed, some popular episodes, such as Deep Space Nine’s Waltz and Enterprise’s Shuttlepod One are structured as near-one-act plays in their own right. We raise the curtain and take a look at Star Trek on the stage.

Despite the inclement weather and less than ideal recording surroundings, this was a great chat on an equally great, Trek-filled day, one you can read more about my experience of here…

Continue reading

THE CROWN: The State of the Monarchy (Season 3 – Review)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

Roughly halfway into Peter Morgan’s sprawling potted history of Queen Elizabeth II, you realise The Crown has reached a point of security. After two seasons which made a star out of Claire Foy and gave Netflix perhaps it’s most prestige original property, Season 3 has the self-assured confidence we see Elizabeth, now middle-aged, begin to imbue.

The unique central gimmick of Morgan’s drama was announced at the very beginning – that every two seasons of a projected six, the actors portraying Her Majesty and family would age-up alongside the characters themselves, and Season 3 marks the first instance of this change. Foy truly made Elizabeth her own, essaying with grace a young woman thrust into a role unlike any other on the planet while having to balance her own youth and sexuality with the rigours of her position. Olivia Colman, despite freshly minted with a Best Actress Oscar for portraying another British Queen in The Favourite, always had some big shoes to fill. As you might imagine with an actor of Colman’s character, she does just that. Nor does she attempt to simply replicate Foy’s performance.

To do so in the first place would have been a tactical error as Season 3, which takes place over a 13 year span from 1964 through to Elizabeth’s Silver Jubilee celebrations in 1977, presents a different Queen. The season premiere is called Olding and that forms part of the central theme in Morgan’s show this year: change. The opening scenes of the season nicely mark the actor transition as Elizabeth sees proposals for a new set of stamps, with her face replacing Foy’s; indeed Morgan bookends this nicely in finale Cri de Coeur when she is presented with a photograph from the late 40’s showing Foy and Matt Smith as Prince Philip. “How young we were” Elizabeth wistfully remarks. How young too, in a sense, was her country.

Season 3 is driven by not just Elizabeth’s and her family’s transition into different ages, roles, responsibilities and desires, but that of her country; a United Kingdom weathering economic downturn, socialist revolution, and the ripples of class war which continues the break down of the colonial Establishment on which her family was built. The Crown, halfway in, questions the state of monarchy itself in the modern age.

Continue reading

ALIAS – ‘The Indicator’ (2×05 – Review)

라이브스코어|먹튀폴리스|슈어맨 A J. Black 라이브스코어|먹튀폴리스|슈어맨

One of the key thematic ideas running through the genre output of Bad Robot as a company, and particularly JJ Abrams as a producer, is that of destiny. Alias, for the first time head on, truly confronts this concept in The Indicator.

This is an episode more important to the broader direction and thematic core of Alias than it may first been given credit for. It exposes a huge personal secret from Sydney Bristow’s past which casts her relationship with her father Jack—one I’ve argued since the very beginning is what Alias is really all about—in a striking and devastating new light. It ends up directly connecting to season finale The Telling, in how it reveals Project Christmas as a spy children training program, and consequently manages to establish the parameters for Syd’s amnesiac assassin arc across the first half of Season Three. It even connects to the series finale, All the Time in the World, which returns to the idea of an innate intelligence within the Bristow/Derevko line that is pre-disposed to espionage, but the message is that such conditioning can ultimately be broken. The Indicator re-frames Syd’s entire life as pre-disposed by some level of spy destiny, and questions whether or not this was inevitable, or she is entirely a product of what her parents made her.

A key skill of Alias, and why to my mind it is one of the great, underrated American television genre series, in how well it actualises parental ideas and tropes. The nature vs nurture debate continues to rage; are serial killers who came from loving family homes a product of their parents, or is there a genetic or psychological basis for their crimes? Alias literalises the idea of nurture by having Jack explicitly manipulate Syd as a young girl into exploiting what a CIA psychologist describes as “proficiency with numbers, three dimensional thinking, problem solving”, and coding into her subconscious the aptitude that allowed her, when SD-6 came calling, to sail through training with the highest scores and commendations. It is hard to say whether Abrams and his team of writers planned this revelation in advance, despite a mention of Project Christmas in Season One’s Masquerade, but it retroactively fits as a causal explanation for Syd’s super-spy abilities.

The Indicator does not necessarily linger in the memory as a classic or iconic individual episode of television, but without doubt it changes the entire context of Syd’s life as a spy, her childhood and her relationship with Jack. In that sense, it’s a game changer.

Continue reading